- If you're running Mac OS X and have a Thunderbolt port, the best digital audio interface for most people is the Universal Audio Apollo Twin. It's preamps are extremely rich and versatile, completely configurable with included software.
- Whether you want to call it an audio interface or a soundcard, if you make music on a Mac, PC, iPad or even iPhone, it makes sense to get the best box of I/O tricks that you possibly can.
- Best Recording Interface For Mac
- Audio Interfaces For Mac
- Best Interface For Mac
- Best Audio Interface For Mac Thunderbolt
- Best Recording Interface For Mac
- Best Audio Interface For Mac
- Best Midi Interface For Mac
Question: Q: Best Audio Interface for Macbook Pro Hey I'm looking into getting a new Macbook and wondering what the best option for portable audio interfaces is. I know RME has a PCI card that might be able to work.
Whether you’re starting a new home studio, or improving an existing one…
There’s no single purchase more confusing than the audio interface.
Because among the dozens of options…
Each one is designed to meet the demands of a specific “type” of studio.
For example…
At one extreme, a small $100 interface might be perfect in a simple bedroom studio…
If all you need is a single pair of outputs for your studio monitors.
At the opposite extreme, a pro studio that requires dozens of INs/OUTs might need several interfaces, each costing $4000 or more.
Needless to say, matching the right interface with the right studio is tricky even for the experienced. And for beginners, its 10x worse.
Which is why for today’s post, I’ve created an in-depth guide to help you find the perfect option for your studio.
So let’s get started. First off…
The 5 Key Features to Look For
Because of the fact that audio interfaces have so many features, it’s difficult to know which ones matter, and which ones don’t.
So let’s talk about that now. In particular, these are the 5 key specs to focus on:
- DAW Compatibility
- Interface Connectors
- Input/Output (I/O) Count
- Input Channel Types
- Form Factor
And here’s why:
1. DAW Compatibility
In general, most DAW’s work with most interfaces…but not always.
If you don’t yet have a particular DAW that you are loyal to, then you need not worry here.
Because 90% of the top DAW’s will be compatible with any interface you choose.
However if you alreadyhave a DAW you want to continue using, be sure to verify compatibility on the company’s website. And just to warn you, this info is often hard to find.
You would think they would just post DAW compatibility in the interface’s product description, right? But it rarely happens. Usually it’s buried somewhere within an FAQ page.
While it’s not clear why this is done, my best guess is that these companies prefer not to advertise their current DAW compatibility, because they have no guarantees of future compatibility.
A particular interface might be compatible with your DAW today, but it may not be in a future release. And while that’s not likely to happen, it’s always possible.
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Which is why personally, I prefer to use a DAW/interface combo made by the same company. Later in this post I will give you some good examples of these.
However, since there are only a few companies that make both, the downside to this solution is that it severely limits your options.
Up next…
2. Interface Connectors
When connecting an audio interface to a computer…
There are 4 cable options commonly used:
- USB– which is typically seen on cheaper home studio interfaces, and offers the slowest data transfer rate.
- Firewire– which is used on more expensive home studio interfaces, and offers a significantly faster transfer rate (nowadays these are becoming less common).
- Thunderbolt– which has recently become popular with newer semi-pro interfaces, and is way faster than either USB or Firewire.
- PCIE– which has long been the standard connection for professional interfaces, because it offers additional processing power and extremely fast data-transfer.
While USB is by far the slowest of all 4 options, it is still more than fast enough to get the job done for the vast majority of home studios.
So if you’re on a budget, USB is what I recommend.
But whichever type you choose, remember to double-check that your computer has the appropriate connection.
3. Input/Output (I/O) Count
On a typical interface, I/O counts can range anywhere between:
- 1-2 on a simple interface, to…
- 20+ on a professional one.
And the number you need for your studio depends mainly on the number of tracks you plan to record/monitor at once.
For example:
- Solo musicians – may need only 2-4.
- Songwriting teams – who work in small groups, want at least 4-8.
- Engineers who record bands – should have as many as possible (16 at least).
Also…electronic drum kits alone can sometimes require 8 inputs if they offer separate channels for each part of the kit. So take that into consideration if you plan on using one.
4. Input Channel Types
One thing recording newbies often fail to realize is…
When counting the input channels of an audio interface, manufacturers could be referring to any number of different input types.
However in almost all cases, it includes some combination of these 3:
- Mic Input – which allows you to connect a mic directly to the interface.
- Line Input – which requires the addition of an outboard mic preamp to be used as a mic channel.
- Optical Input – which is a type of “digital” input that requires the addition of BOTH an outboard mic preamp, and digital converter w/ “optical out” to be used as a mic channel.
Now here’s what this means for you:
If you want to use your interface “as-is” without adding a multi-channel mic preamp, you might have less available inputs than you think.
Because as you’ll notice, interfaces often have 16 or more total input channels, but only 2-8 mic inputs.
So without any additional gear, the “real” number of inputs on your audio interface is the mic preamp count, NOT the same as the input count.
Now that you know…make sure you actually have enough channels for your purposes. Otherwise you will be sorely disappointed.
NOTE: Two other input types that you should also look for are DI inputs (if you play guitar/bass), and MIDI inputs (if you use any type of keyboards/MIDI controllers).
5. Form Factor
A fancy jargon term used by computer geeks…
“Form factor” simply refers to the physical size and shape interface.
The two form factor options are:
![Best Best](/uploads/1/2/6/6/126610284/111271226.jpg)
- Desktop Interfaces – which are smaller, and sit on your desk next to your computer.
- Rackmounted Interfaces– which are larger, and mount in a standard size rack unit.
For beginners, I recommend starting with a desktop interface, because they’re cheap, easy-to-use, and require no special mounting or peripheral devices. You just plug them in and start recording.
With intermediate/advanced studios, rackmounted interfaces are typically better, as they tend to offer more I/O’s, as well as greater flexibility with signal routing and organization.
Now that you know what to look for, let’s check out some specific models.
Starting with…
Best Desktop Interfaces
For the vast majority of people reading this article, who only want a cheap interface that will allow them to record their music at home…
I recommend a 2-6 channel USB desktop interface, which normally costs between $100-$300 on the low-end, and $500-1500 on the high-end.
Currently, the top brands for these “types” of interfaces are Presonus, Focusrite, Avid, Universal Audio.
Here are the models I recommend from each brand:
Presonus AudioBox (USB connection)
(includes Presonus Studio One Artist DAW)
- AudioBox USB – (Amazon/GuitarC/MusiciansF/Thomann)
- AudioBox iTwo – (iPad Compatible) – (Amazon/GuitarC/MusiciansF/Thomann)
- Audiobox 44VSL – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for? – Beginner studios on a tight budget who want a bundled interface/DAW combo.
Focusrite Scarlett (USB connection)
Best Recording Interface For Mac
- Scarlett Solo – (Amazon/GuitarC/MusiciansF/Thomann)
- Scarlett 2i4 – (Amazon/GuitarC/MusiciansF/Thomann)
- Scarlett 6i6 – (Amazon/GuitarC/MusiciansF/Thomann)
- Scarlett 18i8 – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Beginner studios on a tight budget who already have a 3rd party DAW they prefer.
Focusrite Clarett (Thunderbolt connection)
- Clarett 2Pre – (Amazon/GuitarC/MusiciansF/Thomann)
- Clarett 4Pre – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Studios of ALL levels that don’t need a lot of I/O’s and can afford the price tag.
Apogee (USB connection)
- Apogee One – (Amazon/GuitarC/MusiciansF/Thomann)
- Apogee Duet – (Amazon/GuitarC/MusiciansF/Thomann)
- Apogee Quartet – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Intermediate studios that don’t need a lot of I/O’s, or beginner studios that can afford the price tag.
Avid (USB connection)
(Bundled with Pro Tools 12 DAW)
- Pro Tools Duet – (Amazon/GuitarC/MusiciansF/Thomann)
- Pro Tools Quartet – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
All Beginner/Intermediate studios who want to use the industry standard Pro Tools DAW.
NOTE: While the Apogee Duet and Quartet are “Mac Only” interfaces, the newer Pro Tools Duet and Quartet are compatible with both Mac and PC.
Universal Audio (Thunderbolt connection)
- Apollo Twin SOLO – (Amazon/GuitarC/MusiciansF/Thomann)
- Apollo Twin DUO – (Amazon/GuitarC/MusiciansF/Thomann)
Who do I recommend these for?
Intermediate/advanced studios who want pro studio quality, in a home-studio-sized package.
More Options?
If for some reason of the previous options aren’t to your liking…
Here are 2 more great budget desktop interfaces to check out:
- Audient iD4 (USB) – (Amazon/Thomann)
- Audient iD14 (USB) – (Amazon/Thomann)
And here is 1 more great high-end desktop option:
- Antelope Audio Zen Tour (Thunderbolt/USB) – (Amazon/GuitarC/MusiciansF/Thomann)
Up next…
Best Rackmounted Interfaces
For the purposes of this article, let’s define an “intermediate” studio as a home setup that requires a higher I/O count to meet the demands of some of the more complex recording tasks.
If that’s the type of studio you need, I recommend an 8+ channel rackmounted interface.
Again…the best interfaces in this category are made by Presonus, Focusrite, Apogee, Universal Audio, and Antelope Audio:
Here are the top models I recommend:
Presonus
- Audiobox 1818VSL (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
- Firestudio Project (firewire) – (Amazon/GuitarC/MusiciansF)
- Studio 192 (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
Focusrite
- Scarlett 18i20 (USB) – (Amazon/GuitarC/MusiciansF/Thomann)
- Clarett 8Pre (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
- Clarett 8PreX (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Apogee
- Ensemble (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Universal Audio
- Apollo 8 (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
- Apollo 16 (thunderbolt) – (Amazon/GuitarC/MusiciansF/Thomann)
Antelope Audio
- Antelope Audio Zen Studio – (Amazon/GuitarC/MusiciansF/Thomann)
- Antelope Audio Orion Studio – (Amazon/Thomann)
- Antelope Audio Orion32+ – (Amazon/Thomann)
And finally…
“Professional” Interfaces
While any of the interfaces we’ve covered so far are more than capably of producing “professional” results…
There’s higher class of audio interfaces that we have yet to cover.
Normally only seen in high-end pro studios, these multi-thousand dollar interfaces typically connect to a separate PCIE card which can only be installed on a desktop computer.
The typical reason studios acquire this type of interface is to upgrade to Pro Tools HD, which is the standard system used by the majority of pro studios in the world.
In terms of performance, they offer many premium advantages, including:
- Ultra-Low latency
- High I/O counts
- Premium Digital Conversion
- Multiple Connection Options
And while these interfaces would almost certainly be overkill for the average home studio…
It’s still good to know about them, just in case the day comes when you decide your studio needs one.
Some examples of popular interfaces in this category are:
- Avid HD 16×16 – (Amazon/MusicianF/Thomann)
- Apogee Symphony – (Amazon/GuitarC/MusicianF/Thomann)
Now one last thing…
Assuming you chose a rackmounted interface, you’ll obviously need a rack to store it in, right?
So if you don’t have one yet, check out this article:
So you’re looking to solidify your home recording studio with the best audio interface? To us, this is one of the most important parts of making music and we consider it to be the star on top of the Christmas tree. Without an audio interface, you simply can’t record optimally. Your gear is essentially missing half of its power and capabilities without one of these in your studio. The best audio interfaces help us with sound quality, phantom power and amplification, more overall control of our gear, organization of all of our inputsoutputs into one device, and lastly make the pesky concept of latency disappear. Today we highlight our top 10 audio interface picks available in the market and give you some info to help ease your shopping adventures.
What is an audio interface?
An audio interface is a device which connects your various audio equipment to your computer (microphones, MIDI keyboards, studio monitor speakers, etc). Some have even called them “external sound cards” since the components built into computers can’t make the cut (for good reason — they’re typically too expensive or aren’t big enough). In terms of capabilities (and it really depends on which model you go with), they can provide phantom power to amplify your microphones, hook up any instrument or controller you’ve got via MIDI inout, and use XLR ports for microphones. Audio interfaces convert the analog information into digital signals for your production computer or music laptop to recognize and lay down into your songs.
Ultimately, it helps get you that studio-quality sound that helps separate you from the newbies. Relying on consumer-grade sound cards in your PC or Mac isn’t ideal as it often gives us interference and delays in sounds — and to their credit, merely can’t fit powerful interfaces inside their computers. Audio interfaces are the standard sound card for any type of studio. Once I hooked up my audio interface to my setup, the headache immediately went away because I was not only more organized (rid a lot of cable clutter) but was able to record in a quicker, versatile and realistic manner. When producing music, my workload decreased, my songs sounded better and my overall creativity shot through the roof since my process was more efficient. Lastly and most importantly, the quality of my recording tracks increased dramatically – microphones were more clear, guitars crisp, and the overall sound I heard was better for mixing and mastering later on in my DAW.
How to choose your audio interface
When it comes to the best audio interface, it really depends on a few factors. We’d love to give you a straight answer, but it is too dependent on a lot of elements you must take into consideration when shopping for the device. It depends on what you need.
- What is your budget? Most of these are relatively affordable, but you can always go higher for some powerful features. We’ve seen audio interfaces go within price ranges from $30 to $2,000. We tried to grab a few from each price-point to give you options in your search.
- What type of connectivity? You can either go the more popular USB route, FireWire or even advanced Thunderbolt. The more advanced you go away from USB, typically the more money you’ll have to drop; however, it may be worth the investment if you have the cash.
- How many inputs and outputs will you need? This is something to really take into consideration not only for now but the future as well. A lot of musicians who record multiple instruments at once such as with a band need numerous inputs and outputs to handle all of the equipment. Of course in my position, i’m a one-man band, so i’m fine with fewer ins since I record everything separately. Do you need a few microphone inputs? Additional USB ports? MIDI connectivity? Try to look at the gear around you and plan what you envision hooking up to your audio interface. If you do plan on buying more gear in the future, buy an interface you can foresee needing a few extra connections for your future studio.
- Is there a software bundle you need? Some of these come with virtual instruments, effects, and even digital audio workstations. Is that important to you?
For some more info, check out the choosing your audio interface article by Sound On Sound magazine.
Our picks for top 10 best audio interfaces
The following is our list of top 10 best audio interfaces for both Mac and PC. Do some sifting through as we provide the retail price for your budget, the compatibility in terms of connectivity, how many inputs and outputs, as well as overall features for comparing. We tried to cover all ranges, all connectivity as well as I/O options. Let us know which one you ended up going with/already have!
Focusrite Scarlett 2i2
Compatible with: Mac, PC, all hardware
- Check prices and reviews of the Scarlett 2i2: US | UK
- USB connectivity
- A/D resolution: 24-bit/96kHz
- Inputs: Two XLR/TRS combo
- Direct monitor control on front panel (switch between headphones and speakers easily)
- Comes with Ableton Live Lite and Scarlett bundle (processors, effects)
This is in our opinion one of the best audio interfaces out there by a mile. This interface by Focusrite is best for home and semi-pro studios (I have two friends who make music full-time that use this). The Scarlet 2i2 gives us a great quality microphone pre-amp, a very rugged build for stability as well as portability, and quite a few selections for ins and outs. The ‘2i2’ name basically means that it has two inputs and two outputs, as well as two pre-amps built-in (their other models you’ll see have similar names which relate to the connectivity options). Highly talked about this is the amp quality, compared to mechanisms found in a lot of condenser and ribbon mics and more expensive interfaces. It’s ultimately just a simple interface for a great cost — one of the most popular choices out there if you read the user reviews.
Another huge plus with this one is that it comes with Ableton Live Lite, a very popular digital audio workstation among music heads. This is especially perfect if you’re looking for some software to start recording with or merely want to make the change over to one of the most popular pieces of software today — Ableton coming along with the package makes this a must. USB powered here, although it doesn’t have any MID ins or outs which bums me out but there are ways around that. The Focusrite Scarlett 2i2 is the best audio interface we’ve recommended to our readers numerous times for a reason — just make sure that it will cover your future needs in terms of connectivity if you plan on expanding later.
You can also check out the Focusrite Saffire Pro interface which is a step up (has some MIDI insouts and FireWire connectivity) but costs a bit more. There’s also a ton of other Scarlett models that pertain to ins and outs as stated previously — for only a few more bucks check out their Scarlett Studio Audio Bundle (comes with a mic, headphones, and the interface and it made first in our recording studio bundles guide).
Universal Audio Apollo Twin
Compatible with: Mac only
- Check prices and reviews of the Apollo Twin: US | UK
- 24-bit/192 kHz audio conversion
- Headphone and guitar input on front
- Preamp/monitor switches
- Dedicated master volume knob
- 2 XLR/TSR mic ins
- Realtime UAD Processing
- Comes with plug-in bundle (analog classics)
- Two mic/line pre-amps
- Thunderbolt connection
Up next, we have a mac only interface and this thing is extremely powerful. It’s a 2 x 6 thunderbolt connection and the audio conversion is quite telling at 24-bit/192 kHz for some of the clearest, zero-latency sound possible right now. It’s got real-time UAD processing so the tracking with compressors, EQ’s, and amps for various instruments is the real deal. It’s only compatible with Mac but it’s one of the best out there — Universal Audio brings us quality builds that’ll last you a very long time, so this is an investment.
Here’s a cool video on the Apollo Twin interface. You’ll need a thunderbolt cable for this, but it’s worth it if you’re going the full 9 — you won’t be let down by the Universal Audio Apollo Twin if you have the cash. It’s one of the best, pretty famous and will be for quite some time.
Mackie Onyx Blackjack
Compatible with: Mac and PC
- Check prices and reviews of the Onyx Blackjack: US | UK
- Two Onyx mic pre-amps
- Amps go up to 60 dB
- High-headroom design
- USB powered
- Separate studio monitor/headphone outputs
- Comes with Tracktion 3 production software
Mackie equipment is more tailored to DJ’s, but this audio interface is very solid for the price, giving us two high-quality Onyx mic pre-amps that are very powerful. Gives us some distortion protection due to its high-headroom design. Great zero-latency recording but what stands out to us is the amp gain control: great for electric guitars and dynamic microphones. You can crank each line in (1 and 2) up to 60 dB, turn up the phantom power to max on the monitor or phones, as well as have even more controls on the front.
Standard ins and outs with two XLR and TSR. A step up from a lot of audio interfaces due to its high-quality amps. One of the best audio interfaces in the lower price-point in our opinion. We recommend the Mackie Onyx Blackjack for those who need powerful amplification at an affordable price.
M-Audio M-Track Plus
Compatible with: Mac and PC
- Check prices and reviews of the M-Track Plus: US | UK
- 24-bit / 48 kHz digital audio processor
- Very little latency when monitoring
- Solid aluminum build
- 2 XLR inputs, 2 balanced 1/4″, MIDI in and out
- Selectable phantom power
- Headphone out on front
- Comes with Pro Tools and Ignite by AIR
Here’s another one of the best audio interfaces for the money. This is a very solid model in terms of build and overall supply of necessary ins and outs, as M-Audio gear usually brings to the table. It’s USB powered and offers great phantom power for microphones and guitars, has insert jacks on each channel, and lastly comes with Avid Pro Tools Express and Ignite creation software by AIR. If you’re looking for a good software combo this is great, otherwise it’s still a solid audio interface as it offers us the essentials: 2 XLR, 2 TSR and MIDI ins/outs…what else do you need?
Unless you’re using and recording multiple instruments at a time, anything else is rather unnecessary. The M-Audio M-Track Plus is a solid audio interface for those looking for only a few ins and outs and some clear audio quality on top of it all. It’s pretty affordable and rivals the Scarlett model we previously recommended in terms of price.
Also check out our review of their M-Audio M-Track QUAD audio interface for a step up if you have a few more bucks to spare.
PreSonus AudioBox
Compatible with: PC and Mac
- Check prices and reviews of the Audiobox: US | UK
- Rugged steel build
- Combo XLR mic/balanced 1/4″ input
- 48 volts of phantom power
- 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate
- MIDI inout
- USB 2.0 port
- Comes with Studio One software
Another 2 x 2 to check out here, and this one is a more simple and budget-friendly audio interface than many others. PreSonus gear has a very positive reputation around the equipment world and the AudioBox is a favorite interface among many. You get two very high quality pre-amps built-in, a nice small steel build, as well as two MIDI int/outs on the front. The back has your TSR ins, a USB port for power and connectivity as well as a left and right stereo inputs. Lastly, a headphone jack (on the back) although I usually like these on the front, but oh well. As it’s more budget-friendly, it isn’t recommended for those with instruments that need more than around 35 decibel of gain or headphones above 100 in impedance. Keep this in mind as the power is great for a lower price-point audio interface but it isn’t jam-packed either.
This is great for those on a budget and need the standard capabilities of an interface, and even though it doesn’t have any fancy digital conversion (like the Apollo Twin), you’re getting what you pay for. The PreSonus AudioBox is considered to be another one of the best audio interface picks if you wanted a simple solution and also need some software alongside your setup (it comes with their Studio One digital audio workstation which isn’t necessarily a heavy-hitter in the software community, but can get the job done if you need something simple and don’t have a DAW yet).
Check out our reviews on their latest models, the AudioBox iOne and AudioBox iTwo if you’re looking for some different alternatives.
Apogee ONE
Compatible with: Mac only (and iPad)
- Check prices and reviews of the ONE: US | UK
- A/D and D/A conversion: 44.1/48 kHz 24-bit
- Single input channel
- Internal condenser microphone
- XLR microphone pre-amp
- Encoder knob (gain control, output level control)
- Maestro software included
Audio Interfaces For Mac
Apogee electronics brings us one of the best audio interfaces for Mac. It’s rather simplistic in terms of connectivity, but the reason it’s at such a high cost is because of the amp. It goes up to 63 dB which is pretty high for its size. Another plus is the 48 volt phantom power but it also has a built-in condenser microphone if you think you’ll be using it for that. You can merely mount it and use it as a mic while having an audio interface at hand at the same time. It doesn’t have any MIDI ins or outs or even XLR ports but it does give us a 1/8″ for headphones. What most people do is use a converter cable which can be plugged in to an external microphone, MIDI keyboard or controller, etc.
Check this one out as it gives us a bit of a different spin to audio interfaces. Don’t let the small size of the Apogee ONE make you assume it isn’t powerful — it’ll up the quality of your music like no other (if you’re on Mac, that is).
Although it’s two times the price, also check out the Apogee Duet audio interface for some power if you’ve got the dough. We review their new Avid Pro Tools Duet by Apogee as well, which is a new interface out that’s been paired up by both companies for a new spin on the interface.
Avid MBox + Pro Tools Express
Compatible with: Mainly built for Mac, but can with Windows 10
- Check prices and reviews of the Mbox: US | UK
- Two XLR mic/line combo inputs
- Two 1/4″ DI inputs
- Stereo S/P/DIF digital in and out
- MIDI in and out (1×1)
- Monitor control
- Dedicated volume knob
- Built-in guitar tuner
- Comes with Pro Tools Express
If you want Pro Tools and one of the biggest industry standards out there, we recommend going with this. Avid‘s bundle is a bit more expensive than the budget-friendly audio interfaces we’ve listed thus far but it’s very worth your money if you’re interested in investing in a DAW software that many call it the best — the golden Pro Tools (Express is not the full version, keep in mind). The Mbox is a very solid interface not just because it is Pro Tools’ sidekick — it comes with 4 x 4 channels of ins and outs (two XLR mic/line combos, two 1/4″ inputs and outputs, as well as a headphone out and MIDI ins/outs).
You have phantom power of the standard 48 volts for your condenser microphone, has a nice soft-clip limiter and if you play the guitar, it’s got a built-in tuner with some on-board effects. A nice package if you’re looking for a big punch. The Avid Mbox is great for semi-pro and even some professional studios.
Lexicon Alpha
Compatible with: Mac and PC
- Check prices and reviews of the Alpha: US | UK
- 44.1kHz to 48kHz sample rates
- Record up to two tracks at once
- Inputs: One (1) XLR, Two (2) TRS, One (1) Hi-Z
- Two TRS & RCA outs
- USB powered
- Headphone output on back
- Low-noise mic pre-amp
- Comes with Cuba LE4 and their Pantheon reverb VST
Sleek and stable. This interface by Lexicon Pro has a lot of positive reviews and for good reason. At a super low retail price, it’s got one XLR mic, two TRS and one Hi-Z input. The only thing we’re missing here is the lack of phantom power as well as MIDI in and out, but if you don’t need these the price of this is a steal, especially for the audio quality for under $100. What’s highlighted with this is the low latency giving you no delays with recording, pretty much the benchmark of an interface so if that wasn’t possible we wouldn’t even list it here. This is basically a solid audio interface for recording instruments that don’t need phantom power as well as hooking up some studio monitors to your rig.
The Lexicon Alpha is perfect if you’re OK with switching cables to different equipment when recording, such as between a guitar and a keyboard. There is also some pretty decent software included as well with Cubase LE 4 and their Lexicon Pantheon VST reverb plug-in.
Native Instruments Komplete Audio 6
Compatible with: Windows and Mac
Best Interface For Mac
- Check prices and reviews of Komplete: US | UK
- 24-bit/96 kHz processor
- MIDI in and out
- 2 balanced mic/line/instrument XLR
- 2 balanced line 1/4″ TRS
- 4 balanced analog outputs 1/4″ TRS
- Two mic inputs headphone output
- 48 volts of phantom power
- Direct monitoring with mono input switch
- LED status lights
- USB powered
We’re huge fans of Native Instruments equipment and software, and this is a competitor to the Avid bundle we’ve listed previously. They were a top pick in our best VST plug-in guide for a reason. The Komplete Audio package here is very powerful, not only due to the solid build that will help with longevity but because of the software that it comes with — Cubase LE 6 (a solid DAW), Traktor LE 2 and Komplete Elements, giving you over 1k VST’s and effects. As far as connectivity goes, you’ve got some decent plugs — 2 balanced XLR’s, 2 balanced 1/4″ TRS, four balanced outputs, a MIDI in/out, and it’s USB powered for hassle-free hook ups with a dedicated volume knob up to for convenience.
Best Audio Interface For Mac Thunderbolt
This is an all around great package to look at if you’ve got the dough, especially if you’re looking to add some instruments and effects to your arsenal as well. The sound quality is very clear and reliable in terms of latency reduction. The Native Instruments Komplete Audio 6 is little cheaper than Avid’s bundle but you get Cubase instead of Pro Tools.
Behringer UCA202
Compatible with: Mac and PC
Best Recording Interface For Mac
- Check prices and reviews of the UCA202: US | UK
- High-resolution 48 kHz conversion
- No drivers necessary — USB powered and connectivity
- Stereo headphone output
- Free editing software (nothing crazy) – KRISTAL Audio Engine and Audacity
Best Audio Interface For Mac
Behringer audio equipment gives us the definition of a budget audio interface here. This is straight to the point and it’s powered via USB with no external power supply needed, great for portability. The resolution goes up to 48 kHz so in terms of conversion it is solid for the price. There’s just no XLR or TRS inputs here, so connecting a microphone might get tough — standard RCA ins (which can be converted with proper cables) while giving us a headphone jack and volume control. It also comes with a bundle of free software worth checking out.
I’d recommend grabbing this you’re on the go and need a simple digital converter, otherwise continue reading on. The Behringer UCA202 is a great model for those who want only the essentials at a very affordable price. We’d consider it the best cheap and budget-friendly audio interface in the market today.
Best Midi Interface For Mac
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